6 Keyboard Sonatas, 6 New Sonatas for Keyboard or Pianoforte, 6 Light Keyboard Sonatas - Vissuto between 1742 and 1822, Johann Wilhelm Hässler completely went through the stylistic transition from the Baroque to the Classical period. In their language, different languages coexist that determine complex expressions. The works collected in this group of 4 CDs clearly mark Hässler's stylistic development, from baroque polyphony and counterpoint to an elegant and refined language in the Haydnian style. Michele Benuzzi uses 4 different instruments to obtain maximum variety and to follow the stylistic progression of the works: harpsichord, harpsichord, Silbermann pianoforte and Broadwood.
https://back.dvdstorespain.es/en/music/105317-hassler-keyboard-sonatas-cd-de-audio-michele-benuzzi-and-hassler-5028421952253.html105317HASSLER: Keyboard Sonatas [CD de audio] Michele Benuzzi and Hassler<div id="productDescription" class="a-section a-spacing-small"><br />
<p><span>6 Sonaten Fürs Clavier, 6 Neue Sonaten Fürs Clavier Oder Pianoforte, 6 Leichte Sonaten Fürs Clavier - Vissuto between 1742 and il 1822, Johann Wilhem Hässler has completely brought back the stylistic passage from the baroque to the classical period. In its linguaggio we coexist with diverse idiomi that arrive to determine complex expressions. The raccolte operation in this group of 4 CDs clearly shows Hässler's stylistic sviluppo, giving the polyphony and the fine barocchi counterpoint with an elegant and refined linguaggio in Haydnian style. Michele Benuzzi uses 4 diverse instruments to obtain the greatest variety and to follow the stylistic progression of the opera: harpsichord, harpsichord, Silbermann pianoforte and Broadwood.</span></p>
</div>
<div id="lista_canciones">
<h4>List of topics</h4>
<div id="music-tracks" class="a-section a-spacing-small">
<h4>Disc: 1</h4>
<div class="a-row">
<div class="a-column a-span3">
<table class="a-bordered a-spacing-none">
<tbody>
<tr>
<td>1</td>
<td>Fantasia in C Minor</td>
</tr>
<tr>
<td>2</td>
<td>I. Vivace</td>
</tr>
<tr>
<td>3</td>
<td>II. Adage</td>
</tr>
<tr>
<td>4</td>
<td>III. Allegro, Ma Non Presto</td>
</tr>
<tr>
<td>5</td>
<td>I. With Spirit</td>
</tr>
<tr>
<td>6</td>
<td>II. Longetto</td>
</tr>
<tr>
<td>7</td>
<td>III. Presto</td>
</tr>
<tr>
<td>8</td>
<td>I. Allegretto Grazioso</td>
</tr>
<tr>
<td>9</td>
<td>II. Minuetto I & II</td>
</tr>
<tr>
<td>10</td>
<td>III. Allegro</td>
</tr>
<tr>
<td>eleven</td>
<td>I. Allegro Di Molto</td>
</tr>
<tr>
<td>12</td>
<td>II. Walking</td>
</tr>
<tr>
<td>13</td>
<td>III. With Brio</td>
</tr>
<tr>
<td>14</td>
<td>I. Allegro Assai</td>
</tr>
<tr>
<td>fifteen</td>
<td>II. Adagio à Sostenuto</td>
</tr>
<tr>
<td>16</td>
<td>III. Arietta With Variazioni</td>
</tr>
</tbody>
</table>
</div>
</div>
<h4>Disc: 2</h4>
<div class="a-row">
<div class="a-column a-span3">
<table class="a-bordered a-spacing-none">
<tbody>
<tr>
<td>1</td>
<td>I. Little Allegro</td>
</tr>
<tr>
<td>2</td>
<td>II. Long</td>
</tr>
<tr>
<td>3</td>
<td>III. Presto</td>
</tr>
<tr>
<td>4</td>
<td>I. Allegro, Ma Non Troppo</td>
</tr>
<tr>
<td>5</td>
<td>II. Adage</td>
</tr>
<tr>
<td>6</td>
<td>III. Allegro Assai</td>
</tr>
<tr>
<td>7</td>
<td>YO.</td>
</tr>
<tr>
<td>8</td>
<td>II. Adage</td>
</tr>
<tr>
<td>9</td>
<td>III. Scherzo - Allegro</td>
</tr>
<tr>
<td>10</td>
<td>I. Little Allegro</td>
</tr>
<tr>
<td>eleven</td>
<td>II. Andantino, Grazioso</td>
</tr>
<tr>
<td>12</td>
<td>III. Allegro Di Molto</td>
</tr>
<tr>
<td>13</td>
<td>I. Moderate</td>
</tr>
<tr>
<td>14</td>
<td>II. Adage</td>
</tr>
<tr>
<td>fifteen</td>
<td>III. Presto</td>
</tr>
</tbody>
</table>
</div>
</div>
<h4>Disc: 3</h4>
<div class="a-row">
<div class="a-column a-span3">
<table class="a-bordered a-spacing-none">
<tbody>
<tr>
<td>1</td>
<td>YO.</td>
</tr>
<tr>
<td>2</td>
<td>II. Arioso</td>
</tr>
<tr>
<td>3</td>
<td>III. Presto</td>
</tr>
<tr>
<td>4</td>
<td>I. Little Allegro</td>
</tr>
<tr>
<td>5</td>
<td>II. Rondeau - Allegro</td>
</tr>
<tr>
<td>6</td>
<td>I. Fantasy</td>
</tr>
<tr>
<td>7</td>
<td>II. Das GlÃ1/4ck in Verleumdung</td>
</tr>
<tr>
<td>8</td>
<td>III. Minuetto I & II</td>
</tr>
<tr>
<td>9</td>
<td>IV. Alla Polacca</td>
</tr>
<tr>
<td>10</td>
<td>V. Rondeau</td>
</tr>
<tr>
<td>eleven</td>
<td>SAW. Die Zukunft</td>
</tr>
<tr>
<td>12</td>
<td>VII. Minuetto I & II</td>
</tr>
<tr>
<td>13</td>
<td>VIII. Der Bauer</td>
</tr>
<tr>
<td>14</td>
<td>IX. Die Hoffnung</td>
</tr>
<tr>
<td>fifteen</td>
<td>X. Selig, Wer Mit</td>
</tr>
<tr>
<td>16</td>
<td>I. Andantino</td>
</tr>
<tr>
<td>17</td>
<td>II. Allegro</td>
</tr>
<tr>
<td>18</td>
<td>Prestissimo</td>
</tr>
</tbody>
</table>
</div>
</div>
<h4>Disc: 4</h4>
<div class="a-row">
<div class="a-column a-span3">
<table class="a-bordered a-spacing-none">
<tbody>
<tr>
<td>1</td>
<td>I. A Little Walking</td>
</tr>
<tr>
<td>2</td>
<td>II. Adage</td>
</tr>
<tr>
<td>3</td>
<td>III. Allegro</td>
</tr>
<tr>
<td>4</td>
<td>I. Tempo Di Minuetto</td>
</tr>
<tr>
<td>5</td>
<td>II. Little Long</td>
</tr>
<tr>
<td>6</td>
<td>III. Allegro Assai</td>
</tr>
<tr>
<td>7</td>
<td>I. Allegro Con Spirit</td>
</tr>
<tr>
<td>8</td>
<td>II. Adage</td>
</tr>
<tr>
<td>9</td>
<td>III. Presto</td>
</tr>
<tr>
<td>10</td>
<td>I. Little Allegro</td>
</tr>
<tr>
<td>eleven</td>
<td>II. Little Adagio</td>
</tr>
<tr>
<td>12</td>
<td>III. Allegro</td>
</tr>
<tr>
<td>13</td>
<td>I. Allegretto, Con Grazia</td>
</tr>
<tr>
<td>14</td>
<td>II. Adagio E Sostenuto</td>
</tr>
<tr>
<td>fifteen</td>
<td>III. Presto Assai</td>
</tr>
<tr>
<td>16</td>
<td>I. Moderate</td>
</tr>
<tr>
<td>17</td>
<td>II. Presto</td>
</tr>
</tbody>
</table>
</div>
</div>
</div>
</div>https://dvdstorespain.es/608378-home_default/hassler-keyboard-sonatas-cd-de-audio-michele-benuzzi-and-hassler.jpg18.1818instockBrilliant Classics18.181818.1818002023-03-16T02:27:52+0100/Music/CD Audio
6 Sonaten Fürs Clavier, 6 Neue Sonaten Fürs Clavier Oder Pianoforte, 6 Leichte Sonaten Fürs Clavier - Vissuto between 1742 and il 1822, Johann Wilhem Hässler has completely brought back the stylistic passage from the baroque to the classical period. In its linguaggio we coexist with diverse idiomi that arrive to determine complex expressions. The raccolte operation in this group of 4 CDs clearly shows Hässler's stylistic sviluppo, giving the polyphony and the fine barocchi counterpoint with an elegant and refined linguaggio in Haydnian style. Michele Benuzzi uses 4 diverse instruments to obtain the greatest variety and to follow the stylistic progression of the opera: harpsichord, harpsichord, Silbermann pianoforte and Broadwood.